Friday, November 21, 2008

Capturing The Holiday Spirit


By Heather Joy Roth

The holidays that bring traditional family get-together are quickly approaching, offering us photographers – professional and otherwise - the opportunity to capture life-long memories of the colorful scenery and loved ones. Here are some tips that can help you take eye-catching portraits of the holiday season.

Take A Family Portrait

It is rare in this busy world for families to make the time to get together. Take advantage of this opportunity by taking a family portrait. It will be a cherished keepsake for everyone.

Capture Children’s Artwork On Camera

With school back in full swing, now is the time to take pictures of your children’s art projects. It is unlikely that you will be able to collect all their artwork for your child to see when they get older, so taking a snapshot — or better yet, having your child photograph their own artwork is not only a great way to remember childhood, but a creative way to get your budding photographer to enjoy the new hobby.

Capture Memories From A Different Point Of View

When photographing symbols of the holidays or loved ones, look for new, interesting ways of capturing them. You can photograph a carved pumpkin off-center or move in for an up close shot, leaving out distracting extras. Get level with the subject you are shooting.

Holidays mean children, and children are at a height level lower than what we usually photograph at. Get down on their level. This will give you the best picture angles you can achieve.

Spontaneous Photography

When it comes to the holidays, the time I most enjoy taking photos is when a family member or friend opens their gift. My motto is to shoot the portrait first, and ask questions later. Don’t waste time lining up a perfect shot, snap the photo and capture their face when they open their presents. Parents easily make the mistake of distracting their children by yelling at them to look at the camera.

This is a huge mistake, as children will either shy away from being photographed or pose wildly at the camera. If the children are not looking directly at the camera, not only will you not blind them with your flash, but you will be able to capture spontaneous moments rather than stiff poses.

These moments only lasts a split-second so if you can manage to shoot the subject in that moment of surprise, you’ll have a memory to last forever. Try getting restless children involved by having them take pictures of each other. This works especially well with digital cameras. You will be surprised at what they come up with. Kids literally have a different perspective on the world and their images may surprise you.

Broaden What Type Of Holiday Picture You Take

Try capturing not only “classic” symbols of the holidays, but abstract points of interest. For example, you could photograph a tree covered in snow and this can convey the feeling of the season even more than a photograph of the Christmas tree itself. Look for pumpkin patches, snowmen, even leaves on the sidewalk for inspiring, innovative photo opportunities.

Create Your Own Holiday Greeting Card

© PhotoHand |custom designed greeting cards

© PhotoHand |custom designed greeting cards

Greeting cards that you buy in the store are cheerful, but nothing says “Happy Holidays” more than a personalized greeting card you snapped yourself. Get creative, whether you take a portrait of yourself, your pets, family or even a landscape shot. I prefer receiving these cards versus commercial greeting cards. It shows that thought and consideration went into the card and always brings a smile to my face. These are the cards I keep.

Take A Lot Of Photos

Any professional photographer will tell you that to get a few amazing shots, they had to snap hundreds of photos. Do not be stingy with what you shoot. Try taking pictures of anything that catches your eye. A simple, spontaneous close-up snapshot of some Christmas lights can be more eye-catching than a well planned shot of the whole tree lit up.

Remember, the holidays are a time for family, friends and memories.

Capture the holiday spirit by taking spontaneous shots, not by ordering your subject to pose this way or that way. These photographs allow the happiness of the season to radiate throughout your photography.

Defining Your Image Size for Quality Printing

This is the question that we, at PhotoHand, get every day – why can’t you blow up my photo into a poster after you have retouched it. The answer is that the size of the photo is too small. To print a small poster – the size of a standard sheet of paper, your photo has to be at least 5 Megapixels in photo terms, which equals 5 Megabytes in computer terms.

A photo image is described by two parameters: “Image Size” and “Image Quality”. The image SIZE is defined by the total number of pixels - a collection of small dots. The number of pixels per square inch defines the QUALITY of the image.

If the number of pixels (the size) of the image can’t be changed after the image has been captured, the image quality is defined AFTER you have taken the photo. Image quality or resolution will be defined when you decide how many pixels (dots) should be per square inch of your photo.

More pixels/dots per square inch mean higher resolution and subsequently higher quality of print. 72 dpi (dots per inch) are perfect for the web but not for printing. Quality printing requires 300 dpi.

So, the more pixels you capture from the start, the bigger photo you will be able to print after these pixels have been squeezed into square inches by 300 in each.

Here is a sample of calculations:

Suppose you want a print sized 4 by 6 inches in photo quality.
(4in x 300dpi) x (6in x 300dpi) = 1,200 pixels x 1,800 pixels
This equals 2,160,000 pixels (roughly 2.2 Megapixels) in total which is approximately 2.2 Megabytes.

To make it easier, we put together this cheat sheet for you.


We hope we were able to help, but if you still have questions please contact us through our website www.PhotoHand.com.

Undeniably Indefinable

By Heather Joy Roth

Spontaneous moments and candid photography is a growing trend among couples getting married. Look through some recent wedding albums and you might see pictures of brides, half-dressed, getting dolled up for the big day or the littered reception floor. The trend in television and print media is reality. You see celebrities exposing much more of their everyday lives than ever before, letting us peek into their homes and special occasions. Brides try emulating casual images of celebrity couples on their big day, and fashionable magazines such as In Style. The posed, “say cheese” portraits your mother had are being replaced by warm, artsy shots.

Documentary Wedding Photography is a take-off on Photo Journalistic style. Photographers capture candid moments, such as the mans face when he sees his blushing bride walk down the aisle. Formal photography for the new generation of brides just won’t do. This allows the photographer to express his or her own sensibilities and expression through his work, greater artistic freedom. Not unlike traditional wedding photography, the cost of the documentary approach varies, with prices from $5,000 to over $15,000 for a celeb-favorite photographer.

Many photographers are opting to meet the couple beforehand and get a “feel” for their personalities. This visit can be extremely useful, guiding the photographer on how to take shots the couple would like to see. All the things learned about the couple will guide the photographer in creating a storyline to go with his or her photos.

Although this is the current trend in wedding photography, traditional photos are not “out of the picture” yet. The couple almost always wants a photo that can sit for years on a counter-top or mantle. But, this portrait does not have to be awkward or contrived. Also, many couples opt to have both a journalistic style and more traditional style of photography for their special memories. This may be the best idea yet, because you get the best of both worlds. Couples have often had only candid, photo journalistic photos taken and realize there are no pictures of their parents or siblings, which can be upsetting.

Many photographers are capturing moments of frustration, such as a bride fighting to zip up her wedding gown. These humorous shots lighten the serious tone of the day and always brings a smile to the couples face, once the tension-filled and sometimes severe mood of the day passes. Emotions are at an all-time high during a bride’s big day, so it is essential for the photographer to know when and how to shoot a photo.

You may want candid shots of the bride and groom preparing for the ceremony, but the bride may not want to be photographed without make-up. If you know how to gracefully shoot one of the most important days in the couple’s lives, capturing beautiful, genuine photos can be easy. Many awkward moments can happen during a wedding, especially at the reception, where intoxicated women in strapless gowns can reveal more than they would like too. Tactfully choosing to not photograph these indecent moments is the best route a photographer can make. These are moments that the couple would like to forget, not remember.

Many brides will walk around in their undergarments without shame, but may not want this image displayed in their album for everyone to see. It really depends on the comfort level among the couple. A temper tantrum the bride has over a mishap during the day should also not be photographed. The bride most likely has been dreaming of this moment since childhood, and her expectations are usually set high. Therefore, a mere mishap could set her off into distress. A respectful, professional photographer will sense when shot could be interpreted as humorous versus embarrassing. A special moment is something that has a feeling to it. Real, visual proof that the bride and groom are to live happily ever after, and these shots are sought after by not only the couple, but the photographer as well. A moment like this is not posed or unnatural. It is the couple glancing into each others eyes after saying “I Do”, it is the first dance as Mr. & Mrs. and it is undeniably indefinable.

For samples of photo books, please visit -- http://www.PhotoHand.com

Friday, September 12, 2008

Naturally Photogenic


By Heather Joy Roth



7 in 10 women and 3 in 10 men avoid having their picture taken according to the research published by Samsung Cameras in June, 2008. It seems everyone is afraid of how they look in photographs. Some people seem to be born with the gift of being photogenic, but all it takes are some simple tricks of the trade. Anybody can hide flaws, appear slimmer and look naturally radiant when they learn to work with the camera. Try out these tips to look your best in photos -

To Hide A Double Chin

Position yourself so that the camera is a little above your eye level.
This will hide a double chin effectively. You can also rest your tongue against the roof of your mouth. Tilting the head slightly back also makes a nose appear slimmer while reducing double chins. Practice different poses in the mirror until you feel comfortable and confident.

Don't Say "Cheese"

Many people end up looking awkward because they freeze into expressions with "say cheese". Take a breath in and relax. Don't hold your breath, as you will look tense. Photographs that capture people in natural, relaxed and spontaneous poses are far more visually impacting than a frozen smile.

Happy Thoughts

When posing for a photograph, think of a funny moment that will make you laugh or smile. A forced smile looks unrealistic, and a big grin that is posed runs the risk of looking fake.

For Women

If you know you will be photographed, wear colors that complement your hair color and skin tone. Blondes should wear lavender and soft blue, Brunettes shine in camel, gold and dark brown and Redheads look good in peach, golden yellow and golden brown. Do not wear heavy makeup, just enhance natural beauty and make sure to powder the T-Zone (the top of the nose and forehead) as oiliness will show up in pictures.

Posing Techniques

Look slightly above the camera when the picture is taken. Jacqueline Kennedy Onassis always applied this technique for photographs. It helps reduce the "red eye" effect.

For a full-length shot, position your body 45 degrees from the camera, then turn your head towards the camera. Stand with one foot crossed in front of the other and put weight on your back leg. This pose is very slimming . Paris Hilton and many top celebrities pose like this to look super slim. Stand up straight. Having a good posture will visually shed ten pounds off your body. Ladies, Stand with your hand on hip, twisting your torso towards the camera lens, this accentuates a slim waist.

Friday, August 29, 2008

Go Digital = Go Green!


Green mentality is taking over, at least at the personal level. Everyone I know favors products packaged in recyclable materials, buys energy-saving electric bulbs and rechargeable batteries, tells ConEdison to switch them to an alternative energy supplier, etc.

I am proud to say that I created paperless work environment for myself five years ago. It took some effort to get into the habit of charting down those notes-to-self on the computer screen instead of paper and saving digital copies of magazine articles, but it was totally worth it: I can always find them. My aspiration was an efficient work environment but, as a side effect, I reduced my carbon footprint too.

This is a logical chain: by being more efficient, you waste less and become greener. Technology makes us more efficient, so technology can make us less wasteful, especially digital technology.

I realize that by saying this I make a lot of enemies among the defenders of analog photography, and you would think that quite familiar with digital post production.

Digital is more efficient, it’s a fact. You can shoot thousands of pictures with no additional expense and then weed out the bad ones, view them on your computer screen in full format without printing and have them retouched right away by yourself or through online service like PhotoHand’s service;-) No emulsion or chemistry, no scanners, enlargers, timers and darkroom supplies, no transporting. You are not only saving your time – you are saving the environment.

Online proofing is another way to save on time, expenses and environmentally. Instead of 400 cheap prints that poorly represent your work, post your photos on the Web in a FREE online storage. Your clients would be able to review the proofs and give you directions before you have invested in post-production. I usually recommend our photographer clients to check out MediaFire.com that offers unlimited storage with up to 100MB per file and image galleries for free. If you know of a comparable service, let us know and we’ll spread the word for the good cause.

Monday, July 21, 2008

Phishing for Photographers

Any photographer would get excited by the chance to buy a camera for a tenth of its regular price. Well, when you see such a deal on eBay, this is most probably a phishing scam. (If you don't know, phishing is a criminal activity with the aim of obtaining people's financial information, social security numbers, credit card info, passwords.) Hacker mobs find ways to hijack legitimate sellers' account, especially if such accounts have been dormant for some time, and post their own ads with lucrative offers. They even provide a contact address that is fake or randomly selected. How to avoid being scammed? The old rule applies - if it's too good to be true, it most probably is.


Such scams have been known for a while. Now, just yesterday we received a phishing sample that is quite new to us but it does remind so-called "Nigerian letters" that say you have won an international lottery or asks you to help release a large sum of money inherited by someone and a percentage in return. This is an ancient form of phishing that pre-dates the Internet.


Scams like this target everyone. But there seem to be customized versions of such scams targeting particular groups of people. There are postings on business forums where multiple victims complain they have paid thousands of dollars for submitting an application to receive financing from VC firms.

The letter that we received targets photographers. Being a photography post production company, we were not familiar with this new scam genre and forwarded the email to one of our old clients, who replied that she has been receiving such emails for a while. We decided to post the entire letter so that you would recognize a phishing "inquiry" if you get one. There are at least six distinctive markings of a scam here: it’s too good to be true, it’s too wordy and has too much personal detail aimed at establishing credibility, "I am looking for the BEST" – an old-time classic to flatter you, name-dropping by specifying a modeling agency that exists, a hazy excuse "I could have making this a phone order but", plenty of errors. See for yourself:


My name is Laura Baldwin a model with UK Model Management Company But Presently am in Essex,North London on a modeling contract which i hope to be back home soon to join my fiance which lives in LA.My Husband's name's Bruce and I are planning to have our wedding on Sept. 27th,2008 @
Millennium Biltmore Hotel 506 South Grand Avenue LA,I am looking for the best Photographer who will come and photo shot on the D-day and when i came across your advert i was impressed.

Let me know your price charges for your required services if you are to give me the below packages on that day with full coverage of both the church and reception and of both the bride and the bridegroom,their parents,the officiating ministers and our guests:


1 CD with all your edited photos, High Resolution (100-400 Images)
1 16X20
1 DVD Slide show, 50 photos
1 12X18 Leather or Suede Coffee Table Album (24 sides)
2 5X7 Leather or Suede Coffee Table Albums (24 sides)


We will want you to work for at least 6 Hours at both occasion and if you are out of party venue,we will pay the transportation charges to and from the party venue .Also,we will have the videos at the wedding forwarded to the Publisher of a celebrity magazine here in Essex,UK so they could feature it in their celebrity weekly Mag.

I could have making this a phone order but there is a little problem with the network of the state so bear with me in a couple of days.

Expected guest count: ~105.
Ceremony start time: ~10:00am, And you could probably leave after cocktail hour, which would probably end around 4:00pm .

Thanks and hope to hear from you soon.


B.Rgds.

Laura Baldwin.


What to do if you receive such a letter? Ignore and delete. Or, if you are not lazy, report it to the US federal cybercrime site at http://www.usdoj.gov/criminal/cybercrime/ or to the Anti-Phishing Working Group - http://www.antiphishing.org.

Thursday, July 10, 2008

Doctored Photos Can Alter Memories

Doctored photos can easily change viewers' recollections of significant historic events, shows a study of 299 subjects aged 19 to 84. Researchers at the University of California, Irvine and the University of Padua in Italy showed study participants pictures of either the 1989 Tiananmen Square protest or a 2003 anti-war protest in Rome. Some of the pictures were genuine, while others had been digitally altered. After viewing the photos, participants answered questions about the events pictured.

Researchers found that when photos of the anti-war protest were altered to look more violent than in real life, participants recalled more physical confrontation, injuries and property damage. They also reported feeling less inclined to participate in future protests. When the famous photo of a lone protestor standing before advancing tanks during the Tiananmen Square protests was altered to include crowds of people on either side, study participants likewise recalled many more people having been in proximity to the tanks.

In a related study published in the same journal, researchers showed that accompanying photos can alter readers' understanding of a news story. In this case, participants edited a news study about a hurricane-affected region accompanied by a photo of the village before or after the hurricane. Although the article made no mention of injury or death, 32 percent of participants who viewed "after" photos recalled having read information about death and injury, compared to just nine percent of those who saw a "before" photo.